My work’s been seen by over 100 million viewers. I’ve slashed revision cycles by 70%. I helped push Dartmouth’s $3.6B fundraising campaign across the finish line. And those are just the highlights. For 15+ years, I’ve led creative teams of 5 to 25, from quick-turn deliverables in breaking news to multi-month brand launches spanning every corner of the globe.

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You might’ve caught my frame-by-frame refinements at NFL Honors, or a last-minute blur of Kate Upton’s boobs on the Today Show. I’ve built massive motion toolkits for A+E’s Mipcom initiatives and led the visual strategy behind Paramount CBS’s “CBSN” brand launch. During the Rio Olympics, I tackled on-air graphics updates under crushing deadlines—no excuses, no slack. That same unfiltered approach landed me a personal nod from Matt Damon while promoting the Jason Bourne movie.

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I was armed with a solid design foundation at SCAD—an investment that demanded I develop a polished, precise approach to every frame. My eye for detail evolved further in 20+ countries, capturing raw moments in Morocco’s bustling souks and navigating icy roads in Iceland’s West Fjords. That global perspective shapes visuals that connect across audiences and cut through the noise.

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Along the way, I drove a 25% surge in A+E’s international deals, steered Emmy-winning social campaigns, and insisted on cinematic quality without losing sight of business goals. When fresh notes or new footage drops at the eleventh hour, I adapt and deliver. If it’s not dialed in, I tear it down until it’s right.

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Whether I’m coordinating remote vendors via Frame.io or customizing AI agents to streamline workflows, I keep projects on time, on budget, and aligned with one mission: make an impact that actually lasts. If you want a creative lead who’s not afraid to push boundaries and refine every pixel, let’s talk. Because powerful stories deserve bold, relentless execution—and I’m here to make sure they get it.

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